秀拉

• 发表：2024-06-20
• 分类：小说文学
• 围观：35

• 安提戈涅

  2021-04-11
  《秀拉》依旧展现出莫里森卓越的技巧，但是人物却有些难以立起来，秀拉杀死小鸡、与奈尔丈夫私通、与家庭乃至社区的矛盾都显得过于刻意雕琢了，缺乏莫里森早期作品中直白粗疏的勇气。好处依然是修辞，秀拉对于“何为爱”的自述是颇为斑斓的，它会令人想起《最蓝的眼睛》中关于爱的描述，我们也在课堂上讨论过为什么莫里森用“鸡蛋的弧线"来描述“安静”——神来之笔，激发了无限的文学批评的想象。
• DizzyWhale

  2019-09-25
  每一个人物的一生都是如此鲜明与真实，却也都是残酷环境下结出的果实。社会环境的力量如此巨大，令人无法摆脱。而秀拉就像一艘想要逃离这个黑洞的飞船，最终仍被湮没。
• 爱与污秽凄苦

  2019-09-06
  毫无办法，托尼莫里森也写以时为序，干脆就以年份为章标题了，然而自杀节还是琢磨不透，小鸡的死亦然。她是不用线性情节制造戏剧性的，文字本身的力量就是摧枯拉朽的。秀拉是她的写作序列里一个十分特殊的人物，一个觉醒的人物，一个以其极度反道德反人性的特质来击碎一切黑色人种劣根性的人物。她不需要道德，在巨大的传统之下，秀拉必须是革命性的，摧毁力巨大的，是背叛吗？你看最后在自杀日时节，隧道工程之处的集体死亡，悲剧从来所由复杂，莫里森真是看透了。

• Le Flaneur

  2021-07-30
  “The real hell of Hell is that it is forever.” Sula said that. She said doing anything forever and ever was hell. Nel didn’t understand it then, but now in the bathroom, trying to feel, she thought, “If I could be sure that I could stay here in this small white room with the dirty tile and water gurgling in the pipes and my head on the cool rim of this bathtub and never have to go out the door, I would be happy. If I could be certain that I never had to get up and flush the toilet, go in the kitchen, watch my children grow up and die, see my food chewed on my plate…Sula was wrong. Hell ain’t things lasting forever. Hell is change.” Not only did men leave and children grow up and die, but even the misery didn’t last. One day she wouldn’t even have that. This very grief that had twisted her ...
• Le Flaneur

  2021-07-30
  She looked around for a place to be. A small place. The closet? No. Too dark. The bathroom. It was both small and bright, and she wanted to be in a very small, very bright place. Small enough to contain her grief. Bright enough to throw into relief the dark things that cluttered her.
• Le Flaneur

  2021-07-30
  “How you doin’?” Sula moved a pile of ironed diapers from a chair and sat down.“Oh, I ain’t strangled nobody yet so I guess I’m all right.”“Well, if you change your mind call me.”“Somebody need killin’?”“Half this town need it.”“And the other half?”“A drawn-out disease.”

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