六朝文明（中译修订版）
最新书摘：
-
南瓜扶手2022-02-17发现于长安的安伽（卒于大象元年，公元579年）墓中有一座石榻，靠背和两侧组成了一个围屏，上刻三幅由男性舞者与小型乐队组成的宴乐场景。每一幅画面中的舞者都在轻快地跳舞，表演的是唐诗所称的“胡腾舞”。在第一幅画面中，舞者由琵琶和鲁特琴伴奏，其他乐师则在鼓掌，他们无疑是在喝彩。第二幅图中，乐师们在演奏琵琶、笛子和腰鼓，但在第三幅中并没有乐器。所有这些表演都是为坐在亭台、帐篷中的一人或多人而作。
-
南瓜扶手2022-02-17最能反映这一时期音乐状况的当属安阳隋代张盛墓内的一组俑了，共13件女佣，包括八位伎乐和五位舞者。乐器包括两把琵琶、一把直颈五弦琴和一把曲颈四弦琴（二者都用琴拨弹奏）、一组排箫、两种笛（包括竖笛和横笛，后者可能是六孔笛）、铙钹以及一只竖头箜篌，而第八件俑则做和着音乐拍手状。The musical entertainment of this period is perhaps best represented by a set of thirteen female figurines, eight musicians and five dancers, found in the Sui tomb of Zhang Sheng 張盛 at Anyang. The instruments consist of two pipa, one a five-stringed instrument with a straight neck and the other a four-stringed instrument with a crooked neck, both played with plectrums; a set of panpipes; two kinds of fl utes, vertical and transverse (the latter possibly a fl ageolet); cymbals; and an angular harp. The eighth figurine is shown clapping her hands in time to the music.
-
南瓜扶手2022-02-17在这一时期，在传统乐器之外，还出现了一些新的乐器。琵琶可能是最流行的新式乐器。[...]鲁特琴的起源并不是很清楚[...]A number of new instruments joined the ranks of the traditional ones mentioned above during this period. [...]This lute’s origins are obscureal ones mentioned above during this period. [...]
-
南瓜扶手2022-02-17[...] 琴（即齐特琴，往被误称为鲁特琴）[...][...] the qin 琴, a zither often erroneously called a lute [...]