艺术哲学
最新书摘：
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飞过头了2024-09-17注意可以是聚精会神的，可以是马马虎虎的，也可以完全不注意。我们可以以任何这样的方式注意任何东西，与我们的动机不相干。动机并非注意这种活动的一个合适的部分。动机导致注意的行为，但是动机并不使注意成为某种特别种类的行为。动机能让我们有所得，动机并不决定注意的品质。
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飞过头了2024-09-15审美经验是摆脱了日常生活的压力的那种自由。在我们来到音乐厅听音乐的时候，我们把生活留在了外面。
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飞过头了2024-09-15审美经验是某种为我们自身而追求的东西。
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黄额娘的黄太子2021-09-12如果一个事件是人类意识本身的产物，甚至是社会习惯的产物，或者至少与意识和习惯密不可分，那么用来表达这个事件的概念就趋向于难以定义。
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Solarward2021-04-23One reason to dispute it originates in the practice of contemporary artists. Many contemporary artists aspire to create works of art that are designed to defy interpretation or to be utterly meaningless. Sometimes artists claim to do this in order to “deconstruct" the distinction between artworks and real things. This might be one way to view certain ready-mades as examples of the supposed fact that ultimately there is no genuine difference between artworks and real things. However, ironically, the neo-representationalist can argue that attempts along these lines really confirm the thesis of neo-representationalism. Why? Because artworks that are advanced to exemplify the thesis that artworks are ultimately real things are, in fact, not at all like real tings, since such artworks...