HISTÓRIA DA BELEZA

• 发表：2024-07-30
• 分类：英文原版
• 围观：41

• 荷马的玫瑰

  2012-06-01
  In Baroque painting, objects are struck by the light, and the play of volumes gives rise to bright and dark areas. But in Medieval illumination the light seems to radiate out from the objects. They are luminous in themselves.
• 荷马的玫瑰

  2012-05-31
  For the Pythagorean Tradition, the soul and body of man are subject to the same laws that govern musical phenomena, and those same proportions are to be found in the cosmic harmony in such a way that both micro and macrocosm appear bound by a single rule that is at once mathematical and aesthetic. This rule is manifested in the music of the spheres: according to Pythagoras, this was the musical scale produced by the planets, each of which, in rotating around the motionless world, produces a sound whose pitch depends on the distance of the planet from the earth and consequently, on the speed at which the planet in question is moving. The system thus emits the sweetest music, but one that we cannot hear owing to the inadequacy of our senses.
• somnambuleNRR6

  2012-02-02
  1. 美的辩证法18世纪向有理性世纪之称，整体连贯，冷静超脱。然而如此形象，连同现代品位所得于当时绘画与音乐的感知，断然在误导人。斯坦利-库布里克（Stanley Kubrick）的电影《乱世儿女》（Barry Lyndon）里，启蒙运动时代僵冷而疏远的外表底下，奔流着一股不受羁制的、暴烈的骚乱激情伏流，那个世界的男女既残酷，亦文雅。库布里克以一座古典帕拉底欧式结构的谷仓背景，演出闻所未闻的父子决斗暴力。18世纪是卢梭、康德与萨德侯爵（Marquis de Sade）的世纪，甜美人生（douceur de vivre）与断头台的世纪，活力爆发的巴洛克极盛期与洛可可、新古典主义美学蓬勃的世纪，思考并呈现这么一个世纪，自当如是，方近真实。

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