Chris Crawford on Interactive Storytelling

- 书名:Chris Crawford on Interactive Storytelling
- 作者: ChrisCrawford
- 格式:AZW3,EPUB,MOBI
- 时间:2024-07-09
- 评分:
- ISBN:9780321278906
As a game designer or new media storyteller, you know that the story is everything. However, figuring out how to tell it interactively-and in a way that keeps your audience coming back for more-can be challenging. Here to help you out (and to open your mind to ever more creative ways of producing those stories) is the man who created the cult publication The Art of Computer Game Design and who has devoted much of his career to that very topic: Chris Crawford. To highlight the path for future gains in the quest for a truly interactive story, Chris provides a solid sampling of what doesn't work, contrasting unsuccessful methodologies with those that hold promise for the future. Throughout you'll find examples of contemporary games that rely on different technologies-and learn the storytelling lessons to be garnered from each of the past methodologies. Within the context of interactive storytelling, Chris explores ways of providing conflict and challenge, the difference between low- and high-interactivity designs, the necessity to move beyond purely visual thinking (so that the player is engaged on multiple levels), and more.
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lavio2006-03-08糅和了历史,文化,宗教,艺术,语言等诸多元素的悬念小说,非常引人入胜
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ezfinance2006-02-19A really good story!
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彳亍2008-04-2508S,Cosc 007
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Luxjuve2020-05-07互动故事世界( story world)创作者常犯的错误之一就是试图通过讲述精彩的故事来让互动故事玩家从中获得愉悦。对于小说或电影创作而这样做的确很好。但是对于互动叙事而言,这样做就是错误的。互动叙事中的核心是玩家,而不是创作者。如果创作者以自己为中心,在故事中强行贯彻自己的意志,那么也许能得到很精彩的非互动式的故事,但是由此得到的互动故事就会相当糟糕。优秀的互动叙事允许玩家充分发挥个体独特性,以自己独特的风格来体验互动故事。这意味着交互次数必须非常多,因为玩家需要足够多的机会来建立其自身的风格。
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礼拜文2017-03-15电影并没有交互性。电影以精心构思好的方式进行叙事,而互动叙事则是随着情节的不断发展逐步建立起来的,不可能具备电影里那种精巧的叙事结构。因此,电影与互动叙事是两种完全不同的媒体。
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礼拜文2017-03-15虽然所谓反应(reaction)的确是一种动作(action),但是这不足以使其成为交互(interaction)。实现交互(interaction)要求动作(action)交互地(inter-)发生于两个主体。如果动作是单向的,那么它就不是交互的(inter-),而只是反应式的(re-)。
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