Steven Spielberg

- 书名:Steven Spielberg
- 作者: JosephMcBride
- 格式:PDF
- 时间:2024-07-10
- 评分:
- ISBN:9781604738360
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been.
This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director. Spielberg's ambitious recent work--including Amistad, Saving Private Ryan, A. I. Artifucial Intelligence, Minority Report, The Terminal and Munich--has continually expanded his range both stylistically and in terms of adventurous, often controversial, subject matter.
Steven Spielberg: A Biography brought about a reevaluation of the great filmmaker's life and work by those who viewed him as merely a facile entertainer. This new edition guides readers through the mature artistry of Spielberg's later period in which he manages, against considerable odds, to run a successful studio while maintaining and enlarging his high artistic standards as one of America's most thoughtful, sophisticated, and popular filmmakers.
Joseph McBride, Berkeley, California, is a film historian and associate professor in the cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success; Hawks on Hawks; and What Ever Happened to Orson Welles? A Portrait of an Independent Career.
- 上一篇: 《资本论》的思想精华和伟大生命力
- 下一篇: 刺桐梦华录
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Jacky.ac2012-12-24“患有彼得·潘综合症的男人,”凯利写道,“会保持青少年的行为模式。因为他们在人际关系中,对现实有着很差的适应能力,比如一种对承诺的逃避行为,或者一种通过寻求他人的认可来找到自我接纳的强迫症行为。这种男人是典型的娇生惯养的记过,他们的父母纵容了他们的不负责任......孩子则认为规则不适用于自己。从童年开始,彼得·潘综合症患者的生活就充满了焦虑。小的时候,家庭气氛中便开始充满紧张感。这种感觉每年都会增强......这种无缘无故的焦虑感其实来源于父母之间的不和睦。”
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卫生津2012-12-03正如编剧鲍勃•盖尔(他曾与斯皮尔伯格合作电影《一九四一》)所说:“在他拍完电影《太阳帝国》(1987年)之后,史蒂文就因为他的成功与正常的生活和日常事物切断了联系。”盖尔提到,斯皮尔伯格成名之前,他是《外星人E.T.》里的小男孩,愿意体验和冒险,但是他渐渐地他变成了《太阳帝国》里面的那个少年,被锁在战俘营中,孤独地观察着这个世界。
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卫生津2012-11-27拍摄一部时长三小时、讲述犹太人大屠杀惨案的黑白电影,对于环球影业来说,是一个非常冒险的商业提案。虽然历史上已经出现过一些以犹太大屠杀为主题的好莱坞电影 ,但还从来没有一家主流电影制片厂将残忍的现实赤裸裸展现在观众面前。“我非常肯定地表示过,他们投资的钱一定是会打水漂的,”斯皮尔伯格回忆道,“我告诉他们,拍摄这部电影需要2200万的巨额投资,而且他们不能干涉我的拍摄,因为他们无法理解这部电影。我很悲观,我觉得观众不会接受这种大屠杀的电影。我很高兴我想错了。”斯皮尔伯格放弃了他的所有工资,不再索取他所谓的“血汗钱”,并接受了远低于正常水准的电影收益分红,而且直到环球影业收回成本之后才能分红。这部电影的所有收益(最终还是收获了相当大的票房收益)都将通过他的正义人基金会,捐献给犹太组织,以及类似于华盛顿的美国犹太人大屠杀纪念馆的历史纪念性场所,以及他个人的非盈利大屠杀幸存者视觉历史基金会。“除了我,没有任何人能让制片厂同意这项拍摄计划。”斯皮尔伯格说,“我不是在炫耀自己的成就。但这正如我所说的那样,我感激上帝,让我强壮得如同九百磅的大猩猩,这样我才有能力负担得起这个项目……一名不愿意透露姓名的制片厂工作人说,我们为什么不组织一场向犹太人纪念馆募捐的活动呢?那样你开心了吗?当时听到的时候我就觉得自己又充满力量了。”他感觉到,那是某种“信号”,这更让他“坚定了拍摄这部电影的决心”。MCA总裁西德•谢恩伯格允许斯皮尔伯格拍摄这部电影的唯一条件,就是要求他必须先完成《侏罗纪公园》。 正如斯皮尔伯格自己承认的那样:“他很清楚,一旦我开始制作《辛德勒的名单》,便绝不会有闲心再顾及《侏罗纪公园》了。”
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